Every country or nation in the world is proud of its own national culture, as well as its civilization and intelligence. China is recognized by the world as an ancient civilization with splendid cultural heritage, profound artistic achievements, and rich national culture. As Chinese, we should spare no effort to excavate, sort out, research, inherit and promote our precious national heritage, and launch new works with national style. It is our unshirkable mission and responsibility.
Chinese traditional culture has a unique oriental charm and is the source of contemporary art and creation; its rich and diverse cultural resources also provide a very valuable creative source for illustration art creation. This requires us to study traditional culture in depth, inherit traditional culture, creatively use traditional cultural elements, and let traditional cultural elements bring nationality to the world through illustration art.
Integrating paper-cut elements into illustrations can create an affinity for illustrations, improve peoples identification with traditional Chinese culture, and is directly related to the inheritance and promotion of traditional Chinese culture. The sign of true civilization is that traditional culture and modern culture coexist and develop together. Facing the strong trend of cultural globalization, we believe that we must give an accurate positioning to national culture and inherit, enrich, promote and innovate national culture. Based on the characteristics and personality of national culture, actively absorb and integrate the worlds excellent culture, constantly enrich the connotation of national culture and improve the taste of national culture, constantly give new forms and new contents to national culture, and enable national culture to continuously innovate. be enriched and developed.
A truly creative and confident nation should have two very skilled abilities at the same time in this peak dialogue of artistic language: first, the ability to skillfully use international popular vocabulary to express the unique aesthetic taste of the nation; The second is the ability to skillfully use traditional national elements to show common international aesthetic trends. Only in this way can there be real dialogue and real international value.