Research status and progress of folk paper-cutting in Yu County
There are many domestic research results on folk art, most of which involve the extremely important paper-cut art in folk art. The main works include: Wang Pings "General Theory of Chinese Folk Art"; Zhou Xus "Outline of Chinese Folk Art"; Lu Shengzhongs "Goodbye Tradition"; Zuo Hanzhongs "Chinese Folk Art Modeling". These works have detailed discussions on the characteristics of folk art categories, and there are special chapters on the art of paper-cutting. A discussion of the overall characteristics and cultural value, including a brief introduction to the craftsmanship, characteristics, and value of paper-cutting art by region and category. For example: Wang Pings "General Theory of Chinese Folk Art" introduces the history, types, applications, themes and forms, cultural significance and aesthetic characteristics of paper-cut art in chapters; Zhou Xu introduces it in the book "Outline of Chinese Folk Art" The history, production technology, varieties, regional characteristics and aesthetic characteristics of folk paper-cutting art, etc.
There are many domestic monographs that provide a comprehensive and detailed introduction to the art of paper-cutting, mainly including: "Paper-cutting" by Pan Lusheng and Miao Honglei; "Paper-cutting" by Cai Weidong; "Paper-cutting Art" by Huang Hong; and "History of Chinese Folk Paper-cutting Art" by Wang Shucun ; "Practical Folk Paper-cut Art" by Yin Xiufeng; "Research on Hebei Paper-cut Art and Its History and Culture" edited by Li Wei and Shao Lingli; "Complete Collection of Chinese Folk Art Paper-cut" edited by Cheng Zheng, etc. These monographs all have varying degrees of influence on the traditional paper-cut art. The historical origin, processing technology, regional classification, artistic characteristics, usage and development trends are discussed in detail. There are also specially published albums on the art of paper-cutting, such as: Zhao Shaohuas "Chinese Paper-cutting"; Feng Jicais "Disappearing Patterns - Jinbaozhai Yi Deyuan Paper-cutting", etc.
Yuxian paper-cutting art is an important faction in traditional Chinese paper-cutting art. There are many monographs and documents specifically focusing on Yuxian paper-cutting art. Most of these monographs or documents are aimed at understanding the cultural history and craftsmanship of Yuxian paper-cutting. Processing, artistic characteristics, application value, as well as the rumors about the old Yuxian paper-cutting artists have been theoretically studied. However, these studies, especially the research on the artistic characteristics of Yuxian paper-cutting art, are basically the same.Lack of support from actual data. For example: In the "Collection of Chinese Folk Paper-cutting·Yuxian Volume" edited by Zheng Yimin and others and published by Hebei Education Press, the classification of Yuxian paper-cutting art, paste and window grille squares, representative works and fine products, production tools and materials, The technological process, inheritance and flow, dissemination and sales, legends and stories, etc. are recorded and discussed in detail; Yuxian paper-cutting is described in "Chinese Paper-cutting Treasures: Yuxian Window Decoration" edited by Tian Yongxiang and Liu Jianjun Art is discussed from aspects such as monochrome paper-cutting, patterns, flowers, opera characters, facial makeup, and new window grilles that keep pace with the times. The book focuses on introducing and describing Yuxian paper-cutting from the perspective of the subject matter of Yuxian paper-cutting art. The book There are many precious paper-cut pattern materials, and it is a relatively comprehensive monograph introducing the graphic patterns of Yu County paper-cut art; in "The King of Chinese Paper-cut: History of Yu County Paper-cut Art" co-edited by He Guogui, Hao Zhixi, and Ren Zhiguang, there are many examples from Yu County Paper-cut Art History. From the perspective of the historical inheritance of paper-cut art in Yu County, this paper describes the inheritance history and artistic characteristics of Yu County paper-cut art by describing the personal lives and artistic achievements of famous artists in the history of Yu County paper-cut art inheritance, and also analyzes the modern forms of folk art museums and Chinese folk art. Information on the cultural heritage rescue project has been recorded; edited by He Guogui and published by the Standing Committee of the Peoples Congress of Zhangjiakou City, Hebei Province, the "100 Paper-cut Atlas of Yu County, China" covers feathers and flowers, zodiac signs, folk customs, opera characters, landscapes, myths The paper-cut plates of Yu County are introduced in terms of characters and other aspects. In addition, there are "The Pointillist Window Decoration Culture by the Huliu River" edited by Tian Yongxiang and Ran Fan, "Yuxian Paper-cutting" in the Hebei Folk Culture Series edited by Li Xinwei and Wu Suqin, and "Innovation and Development of Yuxian Paper-cutting" edited by Gao Dianliang "wait.
In terms of the inheritance and application of folk art and paper-cut art, as the national society pays more and more attention to the protection of folk art and intangible cultural heritage, in recent years, the academic community has paid more attention to the role of folk art and paper-cut art in modern society and modern design. There are also many monographs, papers, and research results on the inheritance and application of folk arts under the influence. For example, Pan Lusheng raised the issue of establishing folk arts museums in "Folk Arts Research" and proposed using the power of modern social science and technology to advocate the digital protection of folk arts. It is also proposed that the rise of cultural and creative industries is a business opportunity for the development of handicrafts in modern society; the book "Research on Hebei Paper-cutting Art and Its History and Culture" edited by Li Wei and Shao Lingli also proposes the modern significance of Hebei Paper-cutting Art in separate chapters, focusing on It discusses paper-cutting art and modern art design teaching, paper-cutting art and modern animation design. Although the content occupies less space, it can be regarded as the interaction between paper-cutting art and modern design, and the inheritance of paper-cutting art. A meaningful exploration of the direction and trend of innovation; the book "Variation of Modern Paper-cutting Language - Different Art Paper-cutting" written by Liang Changsheng summarizes the results of Mr. Liang Changshengs many years of imaginative attempts and exploration of modern paper-cutting art. Publishing, for the art of paper-cutting in modern timesSocial innovation and development have opened up a new direction. There are not a few journal articles and academic papers about the application of folk art, traditional handicrafts, and paper-cutting art in modern society. There are mainly the following research directions: First, it is to divide folk art, traditional handicrafts, and paper-cutting art into regions. The research focuses on analyzing its characteristics, and then in-depth study of its inheritance and development in modern society; second, it is an in-depth study of a certain aspect of traditional art, such as patterns, colors, etc., to study the cultural connotations and implications contained in it. , and then connect it with the reality of modern society and apply it to design practice; third, combine new computer technology, science and technology with traditional art to create a new inheritance method for traditional art, focusing on integrating modern Technology is applied to traditional art to enrich and expand traditional art.
The results of important academic papers on the art of Yu County paper-cutting and the development of Yuxian paper-cutting in modern society mainly include: First, Dai Jiayan’s "Through the Years, the Endurance of Time"
