Dyeing paper-cutting can produce clear boundaries between colors without changing colors. The color blocks are all one color with high brightness; color-filled paper-cutting can produce the shades of dyeing like gongbi paintings. The changes have a three-dimensional effect. However, since a certain distance must be maintained when spraying colored paper-cuts, when spraying different colors, they must be mixed with each other. This is the limitation of spraying colors with paint cans.
However, since spray-color paper-cutting has its limitations, it must have its formal personality, because the emergence of any individual form is often realized within specific restrictions. For example, very small color particles can appear natural and charming when they are still wet. Natural changes in color can also cause changes in the volume and light and shade of an object. Even if the color of the object is very bright, it can also make the object look beautiful. The image of the ups and downs becomes very rich.
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During the practice of spray color paper cutting, there are two issues that should be paid attention to. One is "flower": when spraying colors, if you want to distinguish the color of each object, for example, the flowers on the clothes are sprayed with red, the leaves are sprayed with green, and the background color of the clothes is sprayed with sky blue, The result will be a big painted face, which is too messy and fragmented; the other is "grey": when spraying colors, you should have a clear idea of ??what color you want to spray. If you spray the wrong color, it will be difficult to change it. Similar hues are still difficult to change. Yes, if three or more colors of different hues are sprayed together, the color will turn gray and dull. Therefore, when preparing colors, you should choose two cans of similar colors with different shades. Use the darker one first, and then use the lighter color to blend, so that the color changes can be natural. For example: spray emerald green first, and then blur it with a lighter jade green. The gradient process will be very beautiful.
From ancient times to modern times, from monochrome to color, paper-cutting is a process of continuous innovation. The innovation of tools, materials, techniques and forms has continuously enriched the style and form of paper-cutting art, and paper-cutting art has become more and more popular. With vitality of life. We must not only rescue the ancient paper-cut art that is on the verge of being lost, but also carry it forward so that excellent traditional culture can serve the material and cultural construction of the new era.
Calendar paper cutting
Shaanxi&ldThe paper-cutting art of "Flower-cutting Lady" Ku Shulan inspired the paper-cutting artist Mr. Zhang Houguang to create "calendar paper-cutting". This is a paper-cutting art that uses the calendar as the paper-cutting material and the original pictures of the calendar as the graphics and color texture. It uses the method of "cutting" and "patching" to cut out the graphics and color textures that can be used in the old wall calendar, so that the graphics and colors in the wall calendar can be coordinated with the color blocks of the paper-cut. Some people call this paper-cutting "Pretty color paper-cutting" is consistent with the principle of using pretty colors in jade carving. In such paper-cutting works, you can often see the original handwriting and patterns. This will not affect the beauty, but will give people a sense of incompleteness. Beautiful, it feels natural and casual.
In short, color paper-cutting, as an inherent folk art form in my country, is unparalleled in the world. It has a long history, is widely popular, and has rich styles and patterns. It is the spiritual culture of people all over the world. heritage. We not only need to protect the original colorful paper-cut form, but also pay attention to its inheritance and development. As the times advance, more colorful paper-cut forms will appear.