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The themes of Matisse’s paper-cutting and Andersen’s paper-cutting

The themes of Matisse’s paper-cutting and Andersen’s paper-cutting The themes of Matisse’s paper-cutting and Andersen’s paper-cutting

Many of Matisses paper-cuts are memories of his travels and a love for nature and life, such as the works "Vegetables", "Harmonious Composition", "Ivy and Flowers", etc. He is good at observing nature and life, getting inspiration from small details and creating exquisite works. Another part of the work is an illustration for a book called "Jazz". For example: "Icarus", "The Nightmare of the White Elephant", "Horses, Riders and Clowns" etc.


The themes of Matisse’s paper-cutting and Andersen’s paper-cutting


People may be more familiar with Andersen as a master of fairy tales. Few people know that he also does paper-cutting, but his purpose of doing paper-cutting is different from that of Shaanxi folk artists. He believed that literature and art were inseparable. Written to his best friend Dorothea on July 21, 1867. One sentence in Mrs. Melchers letter is: "Paper cutting is the beginning of poetry creation." Andersen also wrote these lines of poetry on another cut-out:

From Andersens scissors,

A fairy tale suddenly popped up;

The paper cutting is yours,

You are a gentle critic.

Andersens paper cuts are actually writing with scissors. His paper-cuts and written works cannot be separated, nor can we think that they are just An Tushengs sideshows or amusement. Much of his work is improvised.


Many of his paper-cuts are small fairy tales, and many of his fairy tales were originally works of plastic art. It mainly includes dancing girls, swans, fairies, cranes, palm trees, palaces, temples, devils, cupids, angels, mermaids, witches, mosques, human-shaped wind mills, and clowns in French pantomimes. For example, Andersens paper-cut is called "Human Shape Fengmo", which is quite fairy tale style: there are two hearts on Fengmos "chest", a female ballerina hangs upside down on the wheel on the right, and there are two figures holding umbrellas on each side of Fengmos feet. The God of Sleep.


In addition to paper-cutting for fairy tales, Andersen also makes decorative paper-cuttings for gatherings and festivals. He cuts many toy-like works. Such works may be animated and interesting characters used to decorate childrens rooms, or clumsy but interesting characters.Its a cute "humanoid Fuma". Such a windmill figure can be hung in a window or hung as a decoration on a Christmas tree.


Andersens most common toy-like paper-cutting is a complete stage, with a curtain, an orchestra pit, a side curtain, and dancers; he often also cuts oriental palaces, with minarets, steps, and can be opened Or paper-cut patterns such as closed doors and windows.