The design community carries out scientific and effective innovations in folk paper-cutting
For folk paper-cutting, the design community’s participation methods are mainly divided into three levels. The first is to participate in the development of paper-cutting products, so that this traditional art can attract more consumers in a new and modern way. .
In particular, the paper-cutting materials and packaging forms are transformed to bring paper-cutting closer to modern consumers in appearance; the second is to participate in the creation of paper-cutting, add modern elements to the theme and expression of the content, and turn folk paper-cutting into a A new paper-cut that blends modern and traditional art; the third is to use the art form of paper-cut in other related arts, including illustrations, comics, paper-cut animation, childrens paintings, etc. Especially in stamps, clothing design, product packaging design, trademark advertising, interior decoration, book binding, film and television, etc., paper-cutting art can be absorbed as nutrients; the fourth is the creative design of paper-cutting, which is a more With imagination and cultural power, it is aimed at the development and re-creation of paper-cutting art, such as the development and creative design of various products made in the form of paper-cutting, such as three-dimensional paper-cutting and mural paper-cutting.
The design of the Polish Pavilion at the 2010 Shanghai World Expo adopts the style of folk paper-cutting. Its shape is like a piece of paper folded in layers. The hollow patterns on it express the meaning of Polish folk culture. It can be said that in traditional culture Excellent creativity based on basics.
