The application of the cultural attributes of paper-cutting art in ceramic culture
Paper-cutting art is a popular culture. Its content, form and connotation greatly include attributes suitable for public needs. Of course, this demand is formed within the scope of popular enjoyment. , which forms the basis for the broad cultural attributes of paper-cut art. As a branch of art form, it has artistic characteristics itself and develops along with my countrys art culture and economic life. Its cultural attributes penetrate into modern ceramic decoration.
Paper-cutting has gone through a historical process of more than a thousand years. It is the product of the historical accumulation of folk cultural forms and the aesthetic psychology of peoples lives. It is peoples pursuit of the ideal of a better life and has long been integrated with ceramic culture. A wonderful legend, whether it is to give paper-cutting an orthodox coat or to find the origin of paper-cutting, will arouse peoples great interest and arouse peoples yearning for beautiful things. The art of paper-cutting with a strong local flavor has a long history, rich content, graceful forms, and profound cultural connotations. In terms of the form and structure of paper-cutting, paper-cutting has circular, angular, and other free-form patterns. They can be used for decoration on ceramics to enhance the color contrast of the decoration and enhance the decorative atmosphere. In terms of the cultural implications of paper-cutting, the profound meaning of the ancient traditional culture of the nation ranges from personal happiness and longevity to having children in groups, from making money in a righteous way to having more than enough wealth, from being diligent and thrifty in housekeeping to having more surplus, from good weather to peace and prosperity of the country and the people, from happy events for people to universal celebration. Wait, paper-cutting, with its unparalleled inclusiveness, uses simple materials, exquisite skills, and easy-to-understand forms to explain peoples longing for all happy things. This is the cultural connotation left to future generations by the traditional paper-cutting art. In the new era, people have given new content and form to the art of paper-cutting, allowing it to penetrate into modern ceramic decoration and "reach a higher level" in cultural construction.
Paper-cut art participates in a wide range of social and cultural activities. From daily cultural activities, you can see decoration in the form of paper-cut, activating the cultural living environment. Because modern ceramic artists have grown up with the times, they are not satisfied with simple repetitive creations and have the courage to try boldly. On the basis of adhering to the profound foundation of paper-cutting art, they absorb a large number of outstanding elements of innovative forms; they continue to explore the relationship between paper-cutting techniques and composition, form and meaning. The new content of the combination cleverly grafts the art of paper-cutting onto modern ceramic decoration, which greatly enriches the content of modern ceramic decoration and has the flavor of the new era. This not only expands a new world for the development of modern ceramic decoration, but also highlights the status of paper-cut art in the development of modern ceramics from a cultural perspective.
Auspicious series of gifts to others
The cultural attributes of paper-cut art penetrate into ceramic decoration, showing a cultural characteristic of ceramic decoration. Of course, the art of paper-cutting is borrowed from ceramic decoration, which has a profound and extensive social and cultural background. First, in modern society, the widespread penetration of paper-cut art culture into modern ceramic decoration has led to the diversification trend of ceramic culture. Paper-cut art has become a pure form of art and culture. It appears in a lively and free form and shows its simplicity and profound cultural connotation. Modern ceramic paper-cut decoration perfectly combines the traditional national color characteristics and modern decorative colors. It has also been greatly improved and updated in modern ceramic craftsmanship and decoration techniques. It not only reflects the traditional characteristics, but also shows the personality of modern ceramic decoration, giving people a refreshing visual sense. As shown in the ceramic work "Auspicious Series", the famous ceramic artist Shi Yurens "Auspicious" work is based on simple bamboo leaves and chrysanthemums with profound traditional meanings. The author cleverly grafted paper-cutting onto ceramic decoration, and paper-cutting culture has penetrated into ceramics. During decoration, the works glow with the cultural life of the new era; they exaggerate the spirituality, brilliance and artistic charm of national culture and art. It gives people a lively and lively feeling, and at the same time brings a strong local flavor. It is exactly the kind of "beauty" advocated by people today to "return to nature" and express a humanistic complex that spans time and space. Here, the artists insight and the cultural penetration of paper-cut art are closely combined, condensing into a refreshing force.
Second, the cultural connotation of paper-cutting art shows the charm of ceramic culture, which is a manifestation of the great inclusiveness of ceramic culture. The prosperity of material and spiritual cultural life in modern society provides a cultural environment for the diverse expression of paper-cutting in modern ceramic decoration. Due to the development of social production and the continuous improvement of economic levels, peoples social and cultural life and family cultural living standards have also improved. People like to cut a single-color red paper on their own during festive or harvest festivals, or with the word "囍", or "福", or "longevity", or "good luck", or "give birth to a child early", or "Gong Xi Fa Cai" and so on are used to express a happy life, happiness and good fortune. It is also used every timeIt is a cultural symbol used to display the festive atmosphere during the New Year holidays and to exaggerate or convey a better life. Applying this kind of cultural meaning to ceramic decoration is another kind of cultural charm. As shown in the ceramic work "Fu Decorated Porcelain Plate", the paper-cut word "Fu" displays cultural meanings in ceramic decoration. It is this way of expression of longing and yearning for a better life. On the basis of the survival and continuation of life, people will The goal of pursuing life is wealth. Wealth is a concrete expression of happiness, which means material abundance. "Wealth" is inevitably connected with "lu", which means nobility of status. Together with material wealth, it is what we call wealth. Said blessing. This auspicious meaning of seeking blessings is transformed into various schemas to express peoples hopes and ideals of seeking blessings. Therefore, the folk culture formed by history and handed down needs to be preserved, inherited and developed. Peoples cultural life needs to be enriched by these local cultures. It is precisely because of the close integration of artistic development and social and cultural development needs that conditions have been created for the development of paper-cut art
