The application of Yin and Yang theory in paper-cutting in modern ceramic design
"Yin and Yang" can be called "positive and negative" or "virtual and real". The so-called "yin and yang cutting method" usually also includes "yin and yang engraving method". As the name suggests, it is the method of "retaining yang and removing yin" or "retaining yin and removing yang", "the art of separating graphics from the paper." It states concisely. It shows the ultimate means and purpose of paper-cutting art. Paper-cutting has different priorities in the painting due to the relationship between black and white and yin and yang. From the form, it can be divided into "yang cutting", "yin cutting" and "combination of yin and yang".
The expression method of Yin and Yang is a pair of contradictory unity of things, which has a relationship of both opposition and unity. As an expression method of paper-cutting, yin and yang are mutually conditioned. If there is no yin, yang cannot exist; and vice versa. In fact, a paper-cut often contains both yin and yang cuts. If it contains more yin cuts, it is called yin paper-cut; otherwise, it is called yang paper-cut.
From the perspective of the history and objective reality of the development of ceramic decoration, especially in modern ceramic decoration, the folk paper-cut art carrying the aroma of earth not only has an impact on modern ceramic decoration in terms of composition, but also has an impact on ceramic decoration in terms of expression methods. Decoration still plays a role of inspiration and advancement. The expression method of paper cutting is relatively free. No matter which expression method is used, you can try it on ceramic decoration. The yin and yang expression method in the art of paper-cut patterns is grafted onto modern ceramic decoration. The yin and yang carving method can be used to depict depth, width, virtual and real effects, strengthen the three-dimensional sense of the image, and universal yin and yang contrast, further strengthening the artistic visual impact of the image. ; So that you can create a lifelike artistic image.
