Analysis of the formal characteristics of paper-cut art
British philosopher Roger Fry once said: "The art treasures accumulated and inherited by mankind are almost all works in which formal structure is the main factor." The formal factors of paper-cut art, such as shape , composition, color, etc. are unique and produce different subjective expressions. The esthetician Mr. Zong Baihua once said: "The characteristics of beauty and art are in 'form' and 'rhythm', and what it expresses is the core of life, the deepest movement within life, which is dynamic and orderly. The mood of life."
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The German philosopher Ernst Cassirer also said: "Formation means... but is reflected in the form that inspires beauty: rhythm, tone and layout, and three-dimensional shapes. In works of art , it is the structure, balance and order of these forms that infect us." It can be seen that form is the external organizational structure, artistic language and material materials expressed in works of art, and paper-cut art is created through the beauty of form raw.
Hegel once said: "When encountering a work of art, the first thing we see is what it directly presents to us, and then we investigate its meaning or content." Therefore, we must first start with the form of the paper-cut itself. The formal characteristics of paper-cutting art are studied, which are mainly manifested in concise and general cutting, free-spirited shapes, complete conformal compositions, and high-purity colors.
