The application of the combination of yin and yang in paper-cutting in modern ceramics
The combination of yin and yang shearing is mainly a method adopted simultaneously according to the needs of the relationship between reality and reality in the picture and the emphasized effect inside. This can make the composition diverse, the contrast between black and white and gray in the picture sharp, and enhance the expressiveness of the work. As shown in the paper-cut work "Caged Grasshopper", the paper-cut "Caged Grasshopper" uses the expression technique of combining yin and yang scissors. A grasshopper that looks as heavy as an ox is tightly hooked with a pair of hard hind legs. On a delicate and well-behaved cage, both whiskers are stretched forward and eyes are wide open, like a tiger lying on a hill. The whole picture has a strong contrast between black, white and gray. The cage is exquisite and clear, and the grasshopper is rough and bold. The two are integrated and complement each other. It fully reflects peoples strong desire for freedom and a better life.
Paper-cut work "Caged Grasshopper"
Grafting this paper-cut expression method into modern ceramic decoration can also achieve unique artistic effects, but this is inseparable from the careful design of the creator. As shown in the ceramic work "Folk Customs", "Folk Customs" created by Shi Yuren, a famous modern ceramic artist, shows the creative conception and creative skills of the creator alone. Judging from the decoration of the work, the "paper-cut yin and yang combination method" is used to express a strong folk custom on the porcelain vase. The author used blue and white glaze and underglaze red glaze to combine together, cleverly forming a composition that is juxtaposed and interspersed with each other to highlight the meaning of the theme. In "cutting", the "yin" points, lines, and surfaces are connected together using the "yang" preservation method to make the composition diverse; it uses the simplest monochromatic points, lines, and surfaces as the basic expression Form, so the thickness, density, and area of ??the lines or blocks in the picture are all a contrast between black and white. The actual part is not rigid, the virtual part is not empty, there is reality in the virtual, and virtuality in the reality. The layout is reasonably interspersed and arranged. It seems simple, but in fact it shows a sense of rhythm and rhythm. The creation of the authors solitary craftsmanship not only highlights the expression techniques of paper-cutting art, but also combines the aesthetic taste of ceramic art.He has developed the application of paper-cutting art in modern ceramic decoration, and is also making innovative attempts in modern ceramic decoration. The authors implication is based on the rich art of paper-cutting. Through artistic re-creation, he expresses his inner yearning for beautiful things in a beautiful form, and deeply penetrates into peoples consciousness with aesthetic taste and habits, making people understand And love is promoted because of inheritance. The whole work has both traditional connotation and modern flavor. Create or refine this expression method in the work to make it more unique artistic charm.
Apply to others "Folk Customs"
It can be seen that grafting the yin and yang expression of paper-cut pattern art into modern ceramic decoration is a unique way of expression. Whether on or under the glaze, it can combine the traditional national color characteristics and modern decorative colors. The styles come together perfectly. It not only reflects the national characteristics, but also shows the modern personality, giving people a refreshing visual sense. Their combination conforms to an aesthetic, which not only enriches the aesthetic language, but also expands the development of the yin and yang expression of paper cutting in modern ceramic decoration.
