"Mozarts operas always have an undercurrent of rhythm. , showing a lot of humor and whimsy,” said Dodie Kazanjian, director of Gallery Met, “And Brian’s vivid and inner-drama portraits are the best match for Mozart’s plot.” “What this series of works embodies is that What is depicted is not the content of the Così fan tutte opera, but shows the singing organization distribution of the singers in the duet, exploring the sense of harmony and dissonance in repetition and difference,” said Brian Calvin. "The superimposition of figures expresses a complicity in 'piling heads together'", explains the artist. Calvin has always been known for his large-scale stylistic portraits, using simple tones and flat colors to create lifelike scenes.
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