Shape features of the pen holder:
External shape of the pen holder It is generally a cylinder with an empty middle. Some pen holders have patterns and carvings on the wall of the barrel. They are generally white with blue patterns. The material of this pen holder is called blue and white porcelain. The shape of the pen holder introduced in this chapter is relatively simple. There are only a few simple patterns on the outer wall of the barrel. There are a few brushes and two gouache pens inserted inside the barrel. The overall shape has strong changes in density and density, and has a strong sense of rhythm and rhythm. feel.
The simple expression method of the pen holder:
There are many painting methods, including color expression, sketch expression and simple expression. This chapter only introduces the simple expression method of the pen holder. The specific method of expressing the simple strokes of the pen holder is as follows: First, the composition, positioning and content arrangement of the picture must be considered. In this step, the painter must consider many factors and arrange the composition of the picture well. Secondly, use a lighter pen (such as charcoal strips, pencils above 4H, etc.) to gently outline the pen holder and the pen inserted in the barrel. Note that when performing this step, do not use force with the pen, otherwise it will appear later. The performance of several steps will have a certain impact. The third step is to carefully depict the pen holder and the brushes inside the pen holder. The specific steps are: first draw the semicircle on the top of the pen holder, and draw the two sides of the pen holder. After the two sides are painted, add the bottom of the barrel and the body of the barrel. The pattern on the barrel can be expressed by arcs and broken lines. After drawing the barrel of the pen holder, you need to add the brushes in the pen holder. When adding the brushes, start from the front, draw the brush head first, and then add the pen holder. After one brush is finished, draw other brushes according to the front and back layers. When drawing other brushes, pay attention to the height changes between the brushes, the front and back layers, and the occlusion relationship. Only in this way can the picture expressed be unique. Realism.
